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According to Stanley Dance (The World of Earl Hines, 1977, p.302) the Hines band was in New York February 6 and in Louisville, Kentucky, on February 13.John Birks Dizzy Gillespie, Al Killian, Freddie Webster, Maurice Shorty Mc Connell (tp); Claude Jones, Howard Scott, James Trummy Young (tb); Albert Budd Johnson, Jimmy Powell (as); Wardell Gray, Thomas Crump (ts); Rudy Rutherford (bar); Clyde Hart (p); Connie Wainwright (g); Oscar Pettiford (b); Rossiere Shadow Wilson (d); William Clarence Billy Eckstine (voc).Bill Eckstein Waxes Blues For De Luxe Records NEW YORK, April 29---Billy Eckstein, currently at the Onyx Club, cut two vocal blues for De Luxe this week, Good Jelly Blues and I Stay in the Mood for You. (...) A second waxing session with Eckstein and the ork is set up for next week. Notice the identical personnel on I Got A Date With Rhythm which appears to have first been issued in October of 1945, when it was backed by I Couldn't Hear Nobody Pray by The Four Blues (MX# 148).All titles are on CD: Savoy Jazz SVY-17125 and CD: Classics 914.D-107 is listed as I Got A Date With The Rhythm Man on Classics 914.

A trombonist named Happy Pappy Smith is usually included among the personnel but as I have not found any contemporary mention he is not listed here.

Probable personnel: Arthur Walker, John Willie Cook, Fats Palmer (Palmer Davis), William Bill Douglas (tp); Augustus Gus Chappel, Walter Woogie Harris, Druie Bess (tb); Clifton Cliff Smalls (tb, p, arr); George Scoops Carry (as, cl); Lloyd Smith (as); Kermit Scott, Wardell Gray (ts); John Williams (bar); Ren Hall (el-g); Earl Hines (p, dir); Eugene Gene Thomas (b); David Chick Booth (d); Mary Elizabeth Betty Roch (voc); Ernest Bubbles Whitman (mc); Jim Lyons (ann). Armed Forces Radio Service transcriptions feature prominently in this discography, but is not always clear when or where the performances presented on the discs took place.

The Hines recordings heard on these particular transcriptions probably come from one recording session, held on October 23 or 30, 1944.

Arthur Walker, John Willie Cook, Fats Palmer (Palmer Davis), William Bill Douglas (tp); Augustus Gus Chappel, Walter Woogie Harris, Druie Bess (tb); Clifton Cliff Smalls (tb, p, arr); George Scoops Carry (as, cl); Lloyd Smith (as); Kermit Scott, Wardell Gray (ts); John Williams (bar); Ren Hall (el-g); Earl Hines (p, dir); Bill Thompson (vib); Eugene Gene Thomas (b); David Chick Booth (d); Essex Scott (Lord Essex) (voc). Tatum was scheduled to do his first sides latter part of May with both solo and trio waxings.

Sign Tatum And Hines On ARA Los Angeles---American Recording Artists, new platter firm formed here last year by Boris Morros and rapidly becoming an important factor in the industry, has signed two of the foremost jazz pianists, Art Tatum and Earl Hines, under exclusive contracts. Morros himself went to Chicago to supervise the first sessions by Hines and his band.

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